The Japan Times - 'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame

EUR -
AED 3.852868
AFN 79.203168
ALL 98.549781
AMD 417.863614
ANG 1.890546
AOA 956.652052
ARS 1101.114587
AUD 1.670888
AWG 1.888128
AZN 1.792885
BAM 1.951521
BBD 2.118056
BDT 127.929522
BGN 1.952799
BHD 0.395327
BIF 3057.719036
BMD 1.04896
BND 1.409496
BOB 7.274981
BRL 6.19138
BSD 1.048995
BTN 90.479199
BWP 14.559939
BYN 3.432957
BYR 20559.620276
BZD 2.10716
CAD 1.510167
CDF 2984.291352
CHF 0.945426
CLF 0.037549
CLP 1036.08949
CNY 7.605958
CNH 7.60449
COP 4402.223796
CRC 530.234964
CUC 1.04896
CUP 27.797446
CVE 110.403172
CZK 25.075378
DJF 186.421518
DKK 7.462335
DOP 64.668646
DZD 141.256164
EGP 52.716022
ERN 15.734403
ETB 132.326111
FJD 2.422015
FKP 0.86391
GBP 0.840747
GEL 3.010342
GGP 0.86391
GHS 15.965323
GIP 0.86391
GMD 77.095796
GNF 9078.750566
GTQ 8.115208
GYD 219.410131
HKD 8.170398
HNL 26.859201
HRK 7.740852
HTG 137.108744
HUF 408.505496
IDR 16989.746414
ILS 3.781711
IMP 0.86391
INR 90.621509
IQD 1374.137886
IRR 44148.112047
ISK 146.319649
JEP 0.86391
JMD 165.127967
JOD 0.74413
JPY 161.838309
KES 135.842052
KGS 91.731372
KHR 4217.868841
KMF 491.221683
KPW 944.064313
KRW 1503.595317
KWD 0.323174
KYD 0.874175
KZT 541.999116
LAK 22856.843284
LBP 93986.835617
LKR 313.131984
LRD 204.67837
LSL 19.280022
LTL 3.097307
LVL 0.634506
LYD 5.155657
MAD 10.462322
MDL 19.459151
MGA 4930.113311
MKD 61.500974
MMK 3406.981871
MNT 3564.366934
MOP 8.41443
MRU 41.82732
MUR 48.565506
MVR 16.164554
MWK 1822.043421
MXN 21.717256
MYR 4.592874
MZN 67.039188
NAD 19.279577
NGN 1615.682246
NIO 38.549236
NOK 11.800163
NPR 144.766917
NZD 1.846254
OMR 0.403812
PAB 1.04899
PEN 3.902654
PGK 4.181943
PHP 61.243018
PKR 292.133907
PLN 4.213256
PYG 8303.794433
QAR 3.81931
RON 4.975112
RSD 117.109096
RUB 102.139595
RWF 1459.103663
SAR 3.934701
SBD 8.852615
SCR 15.020936
SDG 630.424777
SEK 11.48045
SGD 1.410668
SHP 0.86391
SLE 23.802348
SLL 21996.171212
SOS 599.480347
SRD 36.823777
STD 21711.358674
SVC 9.178876
SYP 13638.580741
SZL 19.28015
THB 35.444751
TJS 11.449016
TMT 3.68185
TND 3.333392
TOP 2.45677
TRY 37.490256
TTD 7.133327
TWD 34.490649
TZS 2669.603682
UAH 44.047868
UGX 3870.514132
USD 1.04896
UYU 45.748173
UZS 13610.258865
VES 59.344945
VND 26307.922272
VUV 124.534663
WST 2.937956
XAF 654.515774
XAG 0.03493
XAU 0.000383
XCD 2.834868
XDR 0.801934
XOF 656.648756
XPF 119.331742
YER 261.24321
ZAR 19.666619
ZMK 9441.895241
ZMW 29.240613
ZWL 337.764762
  • AZN

    1.0500

    70.11

    +1.5%

  • SCS

    0.1600

    11.69

    +1.37%

  • RELX

    0.1500

    49

    +0.31%

  • BP

    -0.0090

    31.441

    -0.03%

  • RBGPF

    0.0800

    62.28

    +0.13%

  • GSK

    1.0800

    35.35

    +3.06%

  • CMSC

    0.2780

    23.878

    +1.16%

  • RIO

    -0.4350

    61.655

    -0.71%

  • NGG

    1.1800

    61.46

    +1.92%

  • BCC

    1.8050

    128.915

    +1.4%

  • RYCEF

    -0.2000

    7.35

    -2.72%

  • BTI

    1.7450

    39.655

    +4.4%

  • BCE

    0.5800

    24.11

    +2.41%

  • JRI

    0.0050

    12.595

    +0.04%

  • VOD

    0.1800

    8.55

    +2.11%

  • CMSD

    0.1960

    24.156

    +0.81%

'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame
'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame / Photo: NOAH SEELAM - AFP

'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame

Indian director S.S. Rajamouli's films are all-singing, all-dancing spectacles -- and he is now a favourite to secure the first ever Oscar for an all-Indian film.

Text size:

His three-hour extravaganza "RRR" is a fictionalised story of two colonial-era revolutionaries, filled with large-scale, visual effects-laden action sequences and musical numbers.

It has smashed box offices in India, wowed audiences from the United States to Japan, and is a front runner for the Best Original Song award at next month's Oscars, having already beaten out Taylor Swift and Rihanna for the same prize at the Golden Globes.

"When I'm going to a movie, I would like to see larger-than-life characters, larger-than-life situations, larger-than-life drama," Rajamouli told AFP.

"And that's what I like to make," he said at his office in the southern city of Hyderabad.

"Nothing holds the heroes back in delivering their action sequences."

A word-of-mouth hit that has seen moviegoers dancing in cinema aisles, Telugu-language "RRR" has become one of the highest-grossing Indian movies ever.

It has also introduced the country's lesser-known but prolific southern cinema industry to a worldwide audience.

India's Hindi-language Bollywood cinema industry has long been known as the world's most productive, but international film awards beyond the festival circuit have largely remained the preserve of English-language movies.

That changed when Bong Joon-ho's "Parasite" swept four Oscars in 2020, including Best Film and Best Director, after decades when the plaudits for Korean cinema were confined to the critics.

The only previous Indian Oscars won were for English-language films -- the 1982 British-Indian co-production "Gandhi" and 2008's Mumbai-set British drama "Slumdog Millionaire".

Now Rajamouli hopes a statuette for the dance number "Naatu Naatu" will pave the way for Indian auteurs to do the same.

Shot in front of Ukraine's turquoise presidential palace -- before the war -- it features high-energy performances from the two leads as they confront their antagonist.

"We are breaking ground, but I think we are in very, very initial, initial steps," said the 49-year-old.

"If you see (South) Korea, for example, the kind of inroads that they have made... we should aspire to do that, all Indian film-makers."

- 'Unprecedented' -

Rajamouli was born in the southern state of Karnataka. His father was a scriptwriter who exposed him to the industry.

His early influences included prominent Telugu directors but he found himself drawn to epic Hollywood films such as "Ben Hur" and "Braveheart", and is a fan of Steven Spielberg and James Cameron.

Rajamouli's 2015 historical action-drama "Baahubali" -- then the most expensive film made in India -- made him a household name domestically, leading a wave of southern films to the top of the multilingual country's box office.

The 2017 sequel was well-received, with both movies among the highest-grossing of all time in the nation of 1.4 billion people, cementing Rajamouli's reputation as a blockbuster director.

He was "pleasantly surprised" by the buzz around "RRR" in the West, he said, pointing to what he called a "lack of maximalist entertainment".

"There's a section of audiences who wanted that, a celebratory kind of engagement with the cinema."

Despite appearing on Netflix only two months after it debuted across 1,200 US theatres in March last year, "RRR" has become among North America's highest-grossing Indian films.

It was "unprecedented" and "a total outlier", said analyst David A. Gross of Franchise Entertainment Research.

Audiences continue to flock to packed screenings for repeat viewings -- a January showing at Hollywood's historic TCL Chinese Theatre sold out in 98 seconds.

Rajamouli's films have been compared to Marvel superhero movies and he said it would "be an honour" to be asked to do one -- but he worries that a major studio would want to involve itself in the production process.

- Troubling undertones -

The accolades for "RRR" have also been accompanied by criticism of perceived troubling undertones in the film, including the promotion of Hindu nationalism and hyper-masculinity.

"RRR" contains Hindu mythology and nationalist fervour at a time when film-makers, mostly in Bollywood, have been repeatedly targeted by Hindu right-wingers on social media.

Rights campaigners say that under Hindu nationalist Prime Minister Narendra Modi, Bollywood stars are facing increased pressure -- particularly minority Muslim actors like Shah Rukh Khan and Aamir Khan.

Rajamouli grew up in a "deeply religious" Hindu family but is now an atheist and believes that "religion essentially is exploitation".

He blames criticism of the film on the polarisation of debate in India that does not allow for a middle ground.

"Any extreme point of view, I oppose," he said.

"I don't have any kind of hidden agenda... I make films for people who are willing to pay their hard-earned money on the film ticket.

"I like to get them entertained, make them feel dramatic about the characters, about the situations, have a good time, go back and live their lives."

Y.Watanabe--JT